Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Strates & Archipels - Pierre Merle
Salt Crystal - Fabio Parizzi
Optical Sound 2
Le Choix du peuple - Nicolas Savary, Tilo Steireif
It was a good day - Jeremy Le Corvaisier
Pectus Excavatum - Quentin Yvelin
Le corps travesti - Michel Journiac
Der Erste Rotkehlchen - Le livre
Konrad Becker - Dictionnaire de réalité stratégique
Awakening at the inn of the birds - Aymeric Vergnon
Tote Bag - Lucas Burtin x Librairie Lame
Sans titre - Benjamin Hartmann
Bokkusu - Nigel Peake
Les voiles de Sainte-Marthe - Christian Rosset
MASKS - Damián Ortega
Le dos des choses - Guillaume Goutal 







