Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Modern Instances, The Craft of Photography - Stephen Shore
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
Optical Sound 3
Slanted 30 - Athens
IMPROVISATION N. 190220 - Miki Lowe
Vacuité 9090 - Jérémy Piningre
L'amour/Mon ange - Brûle et / Demange - Samoth Trauberchel
il y avait une ville - Laeticia L'Heureux
L'eau jusqu'au nombril - Lilian Froger
Fièvre - Ronan Bouroullec
Tupera Tupera Postcard Book
Critique d'art n°55
Illusive prosody - Alex Beaurain
Crise de foie - Christine Demias
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Inframince et hyperlié - Philippe Lipcare
SKKS - Gilles Pourtier
Eros negro n°4 - Démoniak
L'internationale modique (AND 3) - J-M. Bertoyas
Le dos des choses - Guillaume Goutal 







