Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Les ratons laveurs - Sophie Couderc
Entretiens – Jérôme Dupeyrat
Philonimo - Le Canard de Wittgenstein - Alice Brière-Haquet, Loïc Gaume
La Colombe de Kant - Alice BRIÈRE-HAQUET / Émilie VAST
Lumières - Guillaume Chauchat
Autodrône - Divine Vizion
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Fluent - Laëticia Donval
Sex I - Kingué Camille
Wayfaring - Patrick Messina, André S. Labarthe
Oblikvaj 4 - Last minute Shodo - Thomas Perrodin, Ensemble Batida
The Shelf - Journal 3
Imagos - Noémie Lothe
La chasse Galerine - Jéréméy Piningre & Aëla Maï Cabel
Der Erste Rotkehlchen - Le livre
Radio-Art - Tetsuo Kogawa
Optical Sound 2
De lave et de fer - Laurent Feynerou
Rocher du Ciel - Martin Desinde
Le dos des choses - Guillaume Goutal 







