Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
interférence - 3 - maycec
Le singe et le bijoux - Roxane Lumeret
Karbone Magazine n°8 - Parasite
Trous gris - Michel Vachey
Le vieux père - Laurent Kropf
Good Company - Paul Van der Eerden 







