Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Papier magazine n°06 - Coupe du monde
š! #39 'The End' - coll.
Schindler Manifesto
Sights - Henry McCausland
Le chateau enchanté - Atelier Mclane
Keywording (Post) Contemporary Art - Greta Rusttt
SKKS - Gilles Pourtier
Holy etc. - Fabienne Radi
Roven n°5
Sillo n°3 - Le Fauve
Illusive prosody - Alex Beaurain
Strates & Archipels - Pierre Merle
Tchat - Gary Colin
Grilles - Zelda Mauger
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
À partir de n°1 - Coll.
Zoom Age - Julien Auregan
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Yerevan 1996/1997 - Ursula Schulz-Dornburg
Denver Mosaic 1961 - René Heyvaert
Collective Design : Alison & Peter Smithson
Good Company - Paul Van der Eerden 







