Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Le vieux père - Laurent Kropf
Le corps travesti - Michel Journiac
Le Dépli - Loïc Largier
La chasse Galerine - Jéréméy Piningre & Aëla Maï Cabel
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Éclats III - Athanor
Tee A. Corinne: A forest fire between us - Charlotte Flint (ed.)
Aurore Colbert - Marie Mons
Papier magazine n°06 - Coupe du monde 







