Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

People in a faraday cage - Stéphanie Gygax
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Berlin Khaltura - Iliazd
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Le singe et le bijoux - Roxane Lumeret
Cyclone - Juliette Chalaye
interférence - 2 - maycec
Aurore Colbert - Marie Mons
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Good Company - Paul Van der Eerden
Paravents - Eva Taulois
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Denver Mosaic 1961 - René Heyvaert
Revue Les Saisons n°3
Modern Instances, The Craft of Photography - Stephen Shore
Habitante 2 - Coll.
La Janais - Gaëtan Chevrier, Jérôme Blin
La prise - Florian Javet
Piotr - Pierre Escot, Denis Lavant
Le corps travesti - Michel Journiac
Four Worlds - Hannah Waldron
Neverland - Yaël Lucenet
Collective Design : Alison & Peter Smithson
UPO 1 - Earth Art - Rejane Dal Bello
Papier magazine n°06 - Coupe du monde 







