Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

America - Ayline Olukman, Hélène Gaudy
Dirty fish - Léa Abaroa
Watch out - Anne-Émilie-Philippe
š! #39 'The End' - coll.
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Syrtis Major - Barbara Meuli, Antoine Fischer
Rois de la forêt - Alain Garlan
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
1994 - 2001 - Lorenzo Castore
Dédale - Laurent Chardon
Sillo n°3 - Le Fauve
Slikmiks - Mikkel Sommer / Mekl
Papier magazine n°06 - Coupe du monde
HARTES BROT - Moritz Schermbach
Cuadernos - Henry Deletra
La grande surface de réparation - Gilles Pourtier
Optical Sound 3
Pénurie - Zivo, Jérôme Meizoz
Dessins pour Rugir - Virginie Rochetti
Gros Gris n°4 - Duel
Rendezvous - Eléonore Pano-Zavaroni
Strates & Archipels - Pierre Merle 







