Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Watch out - Anne-Émilie-Philippe
Jardín de mi padre - Luis Carlos Tovar
Sans titre - Chris Kiss
Plus c'est facile, plus c'est beau : prolégomènes à la plus belle exposition du monde - Éric Watier
Saint Julien l'hospitalier Tome 3 - Claire Pedot 







