Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Après la révolution – numéro 1
Sillo n°3 - Le Fauve
Good Company - Paul Van der Eerden
La traversée - Magali Brueder
Fluent - Laëticia Donval
Eros negro n°4 - Démoniak
Cuadernos - Henry Deletra
Aurore Colbert - Marie Mons
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
interférence - 2 - maycec
Gros Gris n°4 - Duel
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Tchat - Gary Colin
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Dernier royaume - Quentin Derouet
Le corps travesti - Michel Journiac
Bruits - Emmanuel Madec
Le Gabion - Théo Robine-Langlois
Saint Julien l'hospitalier Tome 3 - Claire Pedot 







