Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Saveurs imprévues et secrètes - Gilbert Lascault
Karbone Magazine n°8 - Parasite
OKATAOKA MEETS FOLK ART SERIES “HELLO MEXICO”
Eldorado maximum - Les commissaires anonymes
Rasclose - Geoffroy Mathieu
Le dos des choses - Guillaume Goutal
Piano - Joseph Charroy
Prose postérieure - Les commissaires anonymes
C'est les vacances n°2 - coll. dir. Eugénie Zely
Aristide n°4
Le vieux père - Laurent Kropf
Tomber dans l'escalier - Jasper Sebastian Stürup
Mariken Wessels — Miss Cox
Illusive prosody - Alex Beaurain
Le chateau enchanté - Atelier Mclane
Saint Julien l'hospitalier Tome 3 - Claire Pedot 







