Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Eros negro n°3 - Démoniak
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Revue Les Saisons n°3
La tour Tatline - Georgi Stanishev
La Typographie post-binaire au delà de l'écriture inclusive - Camille Circlude
SKKS - Gilles Pourtier
Good Company - Paul Van der Eerden
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Gros Gris n°4 - Duel
Collage - Laura McMorrow
People in a faraday cage - Stéphanie Gygax
本の本の本 - antoine lefebvre editions,
Délié - Baptiste Oberson
Watch out - Anne-Émilie-Philippe
Aurore Colbert - Marie Mons
Saint Julien l'hospitalier Tome 2 - Claire Pedot 







