Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

A l'origine - Anne-Émilie-Philippe
Flynn zine # 1 - Flynn Maria Bergmann
Editer l’art – Leszek Brogowski
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Choquer le monde à mort – Elles sont de sortie – Pascal Doury, Bruno Richard, Jonas Delaborde
Dark optics - David Claerbout
Hello tomato - Marion Caron & Camille Trimardeau
Le blanc nez - Fouss Daniel
Papier magazine n°06 - Coupe du monde
Le chateau enchanté - Atelier Mclane
Marginalia - Clément Laigle
Working men have no country - Coll.
Temps d'arrêt - Etienne Buyse
Gros Gris n°4 - Duel
It was a good day - Jeremy Le Corvaisier
Imagos - Noémie Lothe
Critique d'art n°56
ADBC du Dessin - Jacques Floret
Tools #04 – Couper / To Cut
Piano - Joseph Charroy
akaBB - tribute to Roni horn
Eldorado maximum - Les commissaires anonymes
Baron - Richard Kern
本の本の本 - antoine lefebvre editions,
Saint Julien l'hospitalier Tome 1 - Claire Pedot 







