Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

interférence - 3 - maycec
Fluent - Laëticia Donval
Autodrône - Divine Vizion
Mission Control - Emir Karyo & Jan Wojda
The Shelf - Journal 3
Le corps travesti - Michel Journiac
Tchat - Gary Colin
Watch out - Anne-Émilie-Philippe
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
An Inventory Of - Daniele Franzella
A l'origine - Anne-Émilie-Philippe
Bambi # 4 - Collectif
Le chateau enchanté - Atelier Mclane
Paysageur n°3 - Mobiles
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
9 octobre 1977 - Roberto Varlez
Piano - Joseph Charroy
De tels baisers - Jul Gordon
Critique d'art n°54
AARC – Alter Architecture Research Collective n° 01
Mökki n°2
Dernier royaume - Quentin Derouet
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Image Canoë - Jérémie Gindre
Marcel Proust en cinq minutes — Jackson B. Smith
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Talweg 6 - La distance
Comic Book (Untitled) - Stéphanie Leinhos
Keywording (Post) Contemporary Art - Greta Rusttt
Saint Julien l'hospitalier Tome 1 - Claire Pedot 







