Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Mökki n°2
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
Collective Design : Alison & Peter Smithson
Le blanc nez - Fouss Daniel
Deep state - Mathieu Desjardins
Tomber dans l'escalier - Jasper Sebastian Stürup
Ar(t)chitectures situées - Étienne Delprat
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
America - Ayline Olukman, Hélène Gaudy
Pour une esthétique de l'émancipation - Isabelle Alfonsi
Piano - Joseph Charroy
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Pectus Excavatum - Quentin Yvelin
Talweg 6 - La distance
Atopoz - Collectif
Salt Crystal - Fabio Parizzi
Grilles - Zelda Mauger
Mökki n°4
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Radio-Art - Tetsuo Kogawa
Le dos des choses - Guillaume Goutal
Saint Julien l'hospitalier Tome 1 - Claire Pedot 







