Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Good Company - Paul Van der Eerden
Critique & création - L.L. de Mars
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Bacon le Cannibale - Perrine Le Querrec
Future Book(s) Sharing Ideas on Books and (Art) Publishing - dir. Pia Pol, Astrid Vorstermans
Mökki n°4
Menus Plaisirs - Lisa Mouchet
Gros Gris n°4 - Duel
Eros negro n°4 - Démoniak
Dishes for Dolls - Ruth van Beek
Inflamed Invisible - David Toop
Femme, Arabe et... Cinéaste - Heiny Srour
L'amour/Mon ange - Brûle et / Demange - Samoth Trauberchel
Le dos des choses - Guillaume Goutal
Seoul Flowers & Trees - tribute to Lee Friedlander
Gruppen n°14 - Collectif
Le chateau enchanté - Atelier Mclane
Tropical Reading: Photobook and Self-Publishing
Revue La Ronde n°14
Le corps travesti - Michel Journiac
Ventoline 5 - Coll.
Anguesângue - Daniel Lima
Saint Ferreol - Trente plats - Jérémy Piningre & Aëla Mäi Cabel
In the presence of being absent... Arrgh. - Stéphanie Leinhos
Rois de la forêt - Alain Garlan
Dernier royaume - Quentin Derouet
Prototype 02 - morcellement
Zoom Age - Julien Auregan
Lisa Zordan . one-shot the end
mini kuš! #106 'Dawn of the Living Dead Near Kotka Morgue - Marko Turunen
Gruppen n°13 - Collectif
BIC011 Montes - Braulio Amado
Jardín de mi padre - Luis Carlos Tovar
Strates & Archipels - Pierre Merle 







