Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli
Holy Mountain - Maia Matches, Knuckles & Notch
Dernier royaume - Quentin Derouet
Autodrône - Divine Vizion
Cuadernos - Henry Deletra
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Critique d'art n°55
Piano - Joseph Charroy
Le déclin du professeur de tennis - Fabienne Radi
fig. #6 - antithèse
Jean-Jacques a dit - Angèle Douche
Humoral Fortuities - Francesco Albano’s
Gruppen n°14 - Collectif
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Le blanc nez - Fouss Daniel
Barrage de Sarrans - Sandrine Marc
Sébastien - Antoine Orand
UP8 — Pour une pédagogie de l'architecture
Mökki n°2 







