Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Carnivore - Grow
Idoine & Nayoung Kim
ADBC du Dessin - Jacques Floret
Mapping Bookbinding Poster- Simon Ruault
She is warm - Iringo Demeter
Polyphème (d'après Euripide) - J. & E. LeGlatin
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Télégraphes de l'Utopie – L'art des avant-gardes en Europe Centrale 1918-1939 - Sonia de Puineuf
interférence - 2 - maycec
Zoom Age - Julien Auregan
The Shelf - Journal 3
Collective Design : Alison & Peter Smithson
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
Trous gris - Michel Vachey
Roven n°5
Critique d'art n°56
Optical Sound 3
Bienvenue à Colomeri ! - Hécate Vergopoulo,
Je ne peux pas ne pas - Geneviève Romang
Lili, la rozell et le marimba / revue n°2
It was a good day - Jeremy Le Corvaisier
Mökki n°2 







