« We are back to square one, so to speak. The repetition of black squares is WREK’s brilliant running gag. Sluggo is our new Malevich. Overpainting a canvas to make a new black square—his own act of appropriation—Sluggo pays homage to the teacher. It is time we learn to look and read again, just like Malevich once taught his students. »

Anglais /
Offset NOIR BLANC / 44 pages

Femme, Arabe et... Cinéaste - Heiny Srour
Rocher du Ciel - Martin Desinde
Poèmes - Yvonne Rainer
Ice & Cream - Florence Grivel, Julien Burri
Reading - Ilan Manouach
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Ravedeath Convention - Jan Philipzen
Guten Tag - Pablo Tomek
Pause - Coll.
Berlin Khaltura - Iliazd
Ce que l'histoire fait au graphisme - Clémence Imbert
Intérieur - Samoth Trauberchel
OKATAOKA MEETS FOLK ART SERIES “HELLO MEXICO”
Regards croisés — Gekreutze Blicke - Yeloyolo
Documents relatifs à l'édition pirate du Traité du style de Louis Aragon par Gérard Berréby
PRISON MUSEUM - Nicolò Degiorgis
Tableaux fluo - 2013-2016 - Nina Childress
Vanishing Workflows - Xavier Antin
Plaisir Solide - Hélène Bellenger & Charlotte Perrin
Future Book(s) Sharing Ideas on Books and (Art) Publishing - dir. Pia Pol, Astrid Vorstermans
Titties - Nour Hifaoui
Voir la Palestine, Contre-champs artistiques - Stefanie Baumann
Strange Design - Ed. Jehanne Dautrey et Emanuele Quinz.
Le Dépli - Loïc Largier
Heads Together – Weed and the Underground Press Syndicate - David Jacob Kramer
Marginalia - Clément Laigle
Working men have no country - Coll. 



