Nhu Xuan Hua delved into the power of memories in a piece of work titled “Tropism, Consequences of a Displaced Memory.”The work gives a face to those tropisms that describe spontaneous and automatic reactions initiated by vivid emotions in response to primarily needs or past events in life. Based on archival pictures from her family, the digital intervention interprets these memories through a new angle, exploring the effect of dissipation generated by time passing and driven by the forces of an inherited memory.

This study is an invitation for a treasure hunt on paper, where the images map a route connecting past and present. Places and people merge: he, she, they, here, there become one after having been separate for so long. In this imaginary bi-dimensional city, the elements from the photographs lose themselves and disappear, leaving behind them the mere and haunting presence of nostalgia.

Dernier royaume - Quentin Derouet
Critique d'art n°55
Tanière de lune - Maria-Mercé Marçal
Bienvenue à Colomeri ! - Hécate Vergopoulo,
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Nombril #1
Bacon le Cannibale - Perrine Le Querrec
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Le Parfum du Silence - Bonnie Colin
Imagos - Noémie Lothe
Ici et là - Marie Bonnin
SKKS - Gilles Pourtier
Dark optics - David Claerbout
Tools #04 – Couper / To Cut
Seoul Flowers & Trees - tribute to Lee Friedlander
Piano - Joseph Charroy
The Shelf - Journal 3
LSD n° 03 – A DIY Issue 

























