Nhu Xuan Hua delved into the power of memories in a piece of work titled “Tropism, Consequences of a Displaced Memory.”The work gives a face to those tropisms that describe spontaneous and automatic reactions initiated by vivid emotions in response to primarily needs or past events in life. Based on archival pictures from her family, the digital intervention interprets these memories through a new angle, exploring the effect of dissipation generated by time passing and driven by the forces of an inherited memory.

This study is an invitation for a treasure hunt on paper, where the images map a route connecting past and present. Places and people merge: he, she, they, here, there become one after having been separate for so long. In this imaginary bi-dimensional city, the elements from the photographs lose themselves and disappear, leaving behind them the mere and haunting presence of nostalgia.

Objets Minces - Collectif
Mosaïque d'asphalte - Jack Torrance
Les glaciers - Lorraine Druon
MENU メニュー - Wataru Tominaga
How Many - Nathalie Du Pasquier
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Seoul Flowers & Trees - tribute to Lee Friedlander
Good Company - Paul Van der Eerden
Editer l’art – Leszek Brogowski
Gros Gris n°4 - Duel
Aurore Colbert - Marie Mons
Délié - Baptiste Oberson
Photographic Fields - Joël Van Audenhaege
Critique d'art n°54
Entretiens – Jérôme Dupeyrat
Critique & création - L.L. de Mars
Le Choix du peuple - Nicolas Savary, Tilo Steireif 

























