To Be Determined: Photography and the Future is a book with a radical proposal: the photograph is as much an object of the future as it is of the past. Exploring a familiar medium with new eyes, the book proposes that photographs’ technologies, processes, experiences and products, are in fact geared towards a world to come, and not a world that has been.

Written as a sequence of short interlinking essays, mixing ideas, studies of artworks, and the history of photography, To Be Determined takes its cue from Czech-born emigré philosopher Vilém Flusser, in its quest to reconceive the tools of photography and show how they inform and create the world around us.
Moving between contemporary photography and fine art, the book proposes that artists and photographers who question photography’s capacities – to transform our relationship to time, rewire our perception, and describe our encounters with technology – can also alter our understanding of the medium, and in turn, change our perception of our own agency, and our capacity to see, think and act.
Such an understanding of photography, Wooldridge suggests, has substantial consequences for the world beyond the image, and positions photography outside of study or observation and in a field of activity and experimentation.
Duncan Wooldridge (born 1981) is an artist, writer and curator. He received an MA in Photography from the Royal College of Art, and is course director for the BA in Fine Art Photography at Camberwell College of Arts, University of the Arts London (UAL). He is the author of John Hilliard: Not Black and White (Ridinghouse) and is a regular contributor to 1000 Words, Foam, and Over.
Number of pages: 182

In The Navy - Julien Kedryna
La Typographie post-binaire au delà de l'écriture inclusive - Camille Circlude
il y avait une ville - Laeticia L'Heureux
akaBB - tribute to Roni horn
Seoul Flowers & Trees - tribute to Lee Friedlander
Burning Images, A History of Effigy Protests - Florian Göttke
Le dernier homme - Johann Rivat
Wayfaring - Patrick Messina, André S. Labarthe
Salt Crystal - Fabio Parizzi
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Shanghai Cosmetic - Leslie Moquin
Strates & Archipels - Pierre Merle
interférence - 2 - maycec
Tableaux fluo - 2013-2016 - Nina Childress
Illusive prosody - Alex Beaurain
Inframince et hyperlié - Philippe Lipcare
Génération dakou - Yann Jun + CD
Après la révolution – numéro 1
Ilya Ehrenbourg - Et pourtant elle tourne
The Letter A looks like The Eiffel Tower - Paul Andali
Imagos - Noémie Lothe
Photographic Fields - Joël Van Audenhaege
La traversée - Magali Brueder
SKKS - Gilles Pourtier
People Painting - Fabienne Radi
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
La typographie des Penguin Classics - Andrew Barker
Le dos des choses - Guillaume Goutal
Temps d'arrêt - Etienne Buyse
Sights - Henry McCausland
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Instructional Photography: Learning How to Live Now - Carmen Winant
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon 















