The Natural Enemies of Books is a response to the groundbreaking 1937 publication Bookmaking on the Distaff Side, which brought together contributions by women printers, illustrators, authors, typographers and typesetters. It highlights the print industry’s inequalities and proposes a takeover of the history of the book.

Edited by feminist graphic design collective MMS (Maryam Fanni, Matilda Flodmark and Sara Kaaman), Natural Enemies includes several new essays and poems by Kathleen Walkup, Ida Börjel, Jess Baines and Ulla Wikander. It also offers conversations with former typesetters Inger Humlesjö, Ingegärd Waaranperä, Gail Cartmail and Megan Dobney as well as reprints of the original book.
The Natural Enemies of Books is funded by the Swedish Arts Grants Committee and through an artist-in-residence period at Grafikens Hus, in collaboration with the Södertälje Konstnärskrets.
Softcover, black and white
English
ISBN 978-0-9954730-3-4
110 × 190 mm, 192 pp. 2020

Cuadernos - Henry Deletra
Tchat - Gary Colin
Retour d'y voir - n° 3 & 4 - Mamco
Le dos des choses - Guillaume Goutal
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Jawa Tengah Combo - Fred Maillard
Objets Minces - Collectif
Ilya Ehrenbourg - Et pourtant elle tourne
Lili, la rozell et le marimba / revue n°2
Deep state - Mathieu Desjardins
Science of the secondary #11 - Banana
Critique & création - L.L. de Mars
Schindler Manifesto
Typologie – La tente de camping
Les Mains sales - Collectif
MENU メニュー - Wataru Tominaga
Dictionary - Claude Closky
Bokkusu - Nigel Peake
ARTZINES #1, Paris issue
Spectres n°4 - Mille voix
It was a good day - Jeremy Le Corvaisier
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
Grilles - Zelda Mauger
Zoom Age - Julien Auregan
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
š! #39 'The End' - coll.
The Shelf - Journal 3
Le corps travesti - Michel Journiac
movement in squares - Stefanie Leinhos
Berlin Design Digest
De l'objet (comme un parcours) - Collectif, Sandra Chamaret 













