Dash Snow (1981–2009) is best known for his sculptural installations, collages, and photographs. Snow has exhibited in galleries and museums such as the New Museum of Contemporary Art, the Whitney Biennale, Deitch Projects and CFA Gallery in Berlin.

Since his late teens, Snow has used photography to documents his days and nights of extreme hedonism – nights which, as he famously claimed, he might not otherwise remember. This Zine contains a selection of his critical Dada-esque collages, which range from cum-glittered tabloid covers starring Saddam Hussein to straight text pieces to sculptural works composed of items like books and skeletal fragments; and a smattering of the photographs and Polaroids that originally made Snow famous outside of street art culture, where he began writing graffiti.
Published by NievesInnen, 32 pgs, 14 × 20 cm, Softcover

Papier magazine n°06 - Coupe du monde
Prose postérieure - Les commissaires anonymes
Critique d'art n°56
Dernier royaume - Quentin Derouet
Cuadernos - Henry Deletra
Ar(t)chitectures situées - Étienne Delprat
It was a good day - Jeremy Le Corvaisier
Zoom Age - Julien Auregan
Slanted 30 - Athens
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Berlin Design Digest
Salt Crystal - Fabio Parizzi
Oblikvaj 4 - Last minute Shodo - Thomas Perrodin, Ensemble Batida
Norovirus - Orgie en mers chaudes - Claude Grétillat
Machiavel chez les babouins - Tim Ingold
Sillo n°3 - Le Fauve
L'arum tacheté de J-M. Bertoyas
Critique d'art n°55
Rasclose - Geoffroy Mathieu 





