
Friendship creates security, protection, care and togetherness where institutions fail to provide queer people with adequate support structures, or even worse, incite discrimination. Especially in the art sector, queers represent stakeholders with multiple precarious backgrounds exposed to increased economic and health pressures. This is where queer relations and networks can serve as safety nets, strategies of emotional and economic support as well as survival.
This zine is about friendship in a double sense. It is based on a long and deep communion between the editors. In addition, nine artists and collectives discuss the topic in many different ways: often overtly addressing intimacy, like-mindedness, closeness, and often vaguely, along the lines of technology, networks, and dependence.
Intended to be a space for queer artists, queer art and queer themes, Rosé puts the works at its center. It features photography, performance, design, installation, happening, painting, social media art, sculpture and drag. In this sense, Rosé can be seen as an exhibition that can be touched, picked up, taken away and shared. This is Rosé, meant to be in motion.

Collage - Laura McMorrow
Dictionary - Claude Closky
The Image of Whiteness - Daniel C. Blight
Aristide n°4
Dark optics - David Claerbout
ARTZINES #1, Paris issue
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Screen Printing Basics - ottoGraphics
Trash Dolls 2 - Aurel Schmidt
Tools of Encouragement - Erlend Peder Kvam
Piotr - Pierre Escot, Denis Lavant
Holy Mountain - Païen
Lavalse des tambours - Paul Rey
Album – Contemporary artists top 100 world 2020 - Gianpaolo Pagni
Photographic Fields - Joël Van Audenhaege
Tools #04 – Couper / To Cut
Autodrône - Divine Vizion
Critique d'art n°54
Incipit - Aymeric Vergnon
Commentaires sur les sentences de Pierre Lombard - L.L. de Mars
Débris N°2 - Théo Garnier Greuez 







