Koen Taselaar. Rollable Ramblings is the first comprehensive publication on the textile work of Koen Taselaar (Rotterdam, 1986).
The majority of Rollable Ramblings comprises reproductions of his tapestries, and zoom-ins on them. This visual component is complemented with essays shedding light on the works, and on the history of textile art in general, written by art critic Katalin Herzog.
Special edition made in collaboration with the Textiellab, the professional workshop of the TextielMuseum.
The work of Koen Taselaar is a unique universe in which only he determines the rules. He makes skillful drawings, but also clumsy ceramics and elaborate Tapestries.
Taselaar’s visual language emerged from the grey area in which text is not only meaning but also form. He expresses this in drawn puns, imaginary record sleeves or large psychedelic paintings. In search of ways to process his diverse output, he makes publications and large scale drawings, which function as flat exhibition spaces. Taselaar is continuously working to further develop his wide scope, for example by learning new techniques in several residencies.
Taselaar was nominated for de Volkskrant Beeldende Kunstprijs and has exhibited a.o. at Museum Boijmans van Beuningen Museum in Rotterdam, MMCA Changdong in Seoul, Kunstmuseum The Hague, Centraal Museum Utrecht and The State Hermitage Museum in St Petersburg.
152 pages.


Slanted 24 - Istanbul
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Prototype 02 - morcellement
Lili, la rozell et le marimba / revue n°2
Konrad Becker - Dictionnaire de réalité stratégique
Grilles - Zelda Mauger
Prose postérieure - Les commissaires anonymes
Gros Gris n°4 - Duel
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
OKATAOKA MEETS FOLK ART SERIES “HELLO MEXICO”
Talweg 6 - La distance
Pénurie - Zivo, Jérôme Meizoz
Artzines # 10 - Show & Tell #2 NY Special
Eros negro n°4 - Démoniak
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Dans la matrice : le design radical de Ken Isaacs - Susan Snodgrass 







