
Pope Francis,
Ekow Eshun
Aria Dean
Stephen Shore
Issy Wood
Huw Lemmey
Traum Inc.
Anna Blessmann
Rebecca Sharp
Brady Ng
Hera Chan
Pekeri Ruska
Peer Illner
A & R. bin Shabib
Adjustments Agency
Ben Cullen Williams
Charlie Robin Jones
Jack Self
Michel de Montaigne
WEB Bois
We can’t go back, but we don’t want to. Nor can we go on like this much longer. What will emerge from such a transitional phase, when the civic body is so lacking in health (physical, moral, political and economic)?
The Renaissance was not an end in itself, but a bridge between two paradigms (feudalism and modernity). It was a cultural movement that diverted history by rediscovering lost pasts. Today, we do not need newness to cut short capitalist realism, to restore a degraded nature, to achieve greater equality. We have everything necessary for change. We only need the will.
INSIDE REAL REVIEW 10
What is a renaissance? We interview His Holiness Pope Francis on the commodification of our souls. Writer EKOW ESHUN reviews WEB BOIS’ double consciousness. Curator ARIA DEAN reviews FUTURE’s Mask Off and Black excellence. Photographer STEPHEN SHORE, in conversation with JACK SELF, reviews pictures of the present. Artist ISSY WOOD reviews Diet Coke. Editor and NHS worker REBECCA SHARP reviews the SOCIALIST PATIENTS COLLECTIVE, while BRADY NG and HERA CHAN review Hong Kong protest strategies.
Also in the issue: HUW LEMMEY reviews PIETRO ARETINO, the Renaissance master of pornographic literature and blackmail. TRAUM INC. with REAL REVIEW present a Renaissance collaboration inspired by MARCUS AURELIUS and GIOTTO. Artist ANNA BLESSMANN reviews absent artefacts and Indigenous activist PEKERI RUSKA reviews the Aboriginal concept of country. PEER ILLNER reviews WhatsApp and surveillance capitalism, while ADJUSTMENTS AGENCY reviews groundbreaking ceremonies. AHMED and RASHID BIN SHABIB review pigeon architecture and artist BEN CULLEN WILLIAMS reviews Antarctica (through the lens of AI neural networks). CHARLIE ROBIN JONES reviews horoscopes, MICHEL DE MONTAIGNE reviews solitude and JACK SELF reviews the internet.

Talk Soon - Erik Kessels & Thomas Sauvin
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Piano - Joseph Charroy
Superbemarché - Coll.
Awakening at the inn of the birds - Aymeric Vergnon
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
La nuit, tu mens - Ambre Husson
Perles & Fracas - Bill Noir
Le lacéré anonyme - Jacques Villeglé
Critique d'art n°56
How Many - Nathalie Du Pasquier
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
America - Ayline Olukman, Hélène Gaudy
Before Science - Gilles Pourtier, Anne-Claire Broc'h
SKKS - Gilles Pourtier
Parents Must Unite + Fight – Hackney Flashers - Camille Richert, Hackney Flashers
Courir - David Simpson
Revue La Ronde n°14
Lili, la rozell et le marimba / revue n°2
Dix éditeurs de livres d'artistes par eux-mêmes (1960-1980) (2 volumes) - Anne Mœglin-Delcroix
Entrez sans sonnet - Julie Redon
La prise - Florian Javet
Cosmopolites - Christoffer Ellegaard
Pectus Excavatum - Quentin Yvelin
Tropism - Nhu Xuan Hua
RISO L’Écureuil de James - Liuna Virardi
Anderlecht — Molenbeek - Pierre Blondel
LSD n° 03 – A DIY Issue
Zoom Age - Julien Auregan
Paravents - Eva Taulois
Spécimen Typographique : No Ko - Loris Pernoux
Promenade au pays de l'écriture - Armando Petrucci
La chasse Galerine - Jéréméy Piningre & Aëla Maï Cabel
L'atelier partagé avec Géraldine Trubert
Le vieux père - Laurent Kropf
Chantonnements - Geoffroy Pithon
Slanted 24 - Istanbul
Voir la Palestine, Contre-champs artistiques - Stefanie Baumann
À partir de n°1 - Coll.
Erlebnispark - Paul & Carla
Perturbations - Rosaire Appel
La vallée - la brèche - Tania Maria Elisa
Prose postérieure - Les commissaires anonymes
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Titanic Orchestra - Julien Mauve
Carnivore - Grow
Jardín de mi padre - Luis Carlos Tovar
Sillo n°3 - Le Fauve 





















