Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Le blanc nez - Fouss Daniel
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Critique d'art n°56
Mökki n°4
Le dos des choses - Guillaume Goutal
L'arum tacheté de J-M. Bertoyas
Awakening at the inn of the birds - Aymeric Vergnon
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
OKATAOKA MEETS FOLK ART SERIES “HELLO MEXICO”
Le singe et le bijoux - Roxane Lumeret
Entretiens – Jérôme Dupeyrat
Spécimen Typographique : No Ko - Loris Pernoux
Lumières - Guillaume Chauchat
Les voiles de Sainte-Marthe - Christian Rosset
La grande surface de réparation - Gilles Pourtier
Blaclywall by Sihab Baik - Claude Closky
Imagos - Noémie Lothe
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras 























