Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

fig. #6 - antithèse
L'arum tacheté de J-M. Bertoyas
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Le vieux père - Laurent Kropf
Bambi # 4 - Collectif
Modern Instances, The Craft of Photography - Stephen Shore
Image Canoë - Jérémie Gindre
Pénurie - Zivo, Jérôme Meizoz
Bienvenue à Colomeri ! - Hécate Vergopoulo,
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
Illusive prosody - Alex Beaurain
Piano - Joseph Charroy 























