Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Bambi # 4 - Collectif
In The Navy - Julien Kedryna
Hérésie Étiologique - coll.
Critique d'art n°55
Avec ce qu'il resterait à dire - Anne Maurel
Holy etc. - Fabienne Radi
Roven n°5
Imagos - Noémie Lothe
Le singe et le bijoux - Roxane Lumeret
Mökki n°2
Inframince et hyperlié - Philippe Lipcare
La grande surface de réparation - Gilles Pourtier
La traversée - Magali Brueder
Le dos des choses - Guillaume Goutal
Perturbations - Rosaire Appel
Slanted 30 - Athens
Génération dakou - Yann Jun + CD
Mosaïque d'asphalte - Jack Torrance
Le chateau enchanté - Atelier Mclane
Instructional Photography: Learning How to Live Now - Carmen Winant
Le corps travesti - Michel Journiac
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Sillo n°3 - Le Fauve
Sans titre - Benjamin Hartmann
Objets Minces - Collectif
Der Erste Rotkehlchen - Le livre 























