Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Ventoline 6 - Coll
L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli
Gros Gris n°4 - Duel
Perturbations - Rosaire Appel
How to Become the Daughters of Darkness - Coll.
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Piano - Joseph Charroy
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Spectres n°4 - Mille voix
Critique d'art n°56
Jardín de mi padre - Luis Carlos Tovar
Papier magazine n°06 - Coupe du monde
L'inventaire des destructions - Éric Watier
Aurore Colbert - Marie Mons 























