Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Photographic Fields - Joël Van Audenhaege
Catalogue Art Guys - That's painting productions, Bernard Brunon
Un peu comme voir dans la nuit - Leif Elggren + CD
Optical Sound 2
Pour une esthétique de l'émancipation - Isabelle Alfonsi
Eldorado maximum - Les commissaires anonymes
Berlin Design Digest
Un cheval, des silex - Benoît Maire, Sally Bonn
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Sillo n°3 - Le Fauve
ICCMHW - Atelier Choque Le Goff
It was a good day - Jeremy Le Corvaisier
Burning Images, A History of Effigy Protests - Florian Göttke
Holy etc. - Fabienne Radi
L'inventaire des destructions - Éric Watier
ARTZINES #3 - Tokyo issue
Pénurie - Zivo, Jérôme Meizoz
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Bacon le Cannibale - Perrine Le Querrec
Dessins pour Rugir - Virginie Rochetti
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Le chateau enchanté - Atelier Mclane
Pectus Excavatum - Quentin Yvelin 























