Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Sillo n°3 - Le Fauve
Editer l’art – Leszek Brogowski
Migrant Mother, Migrant Gender - Sally Stein
La France de tête - Lot de 4 numéros
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Blaclywall by Sihab Baik - Claude Closky
Pectus Excavatum - Quentin Yvelin
SKKS - Gilles Pourtier
Alma Mater n°1
Prose postérieure - Les commissaires anonymes
Dark optics - David Claerbout
Pour une esthétique de l'émancipation - Isabelle Alfonsi
Papier magazine n°06 - Coupe du monde
il y avait une ville - Laeticia L'Heureux
Strates & Archipels - Pierre Merle
La traversée - Magali Brueder
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Illusive prosody - Alex Beaurain 























