Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Slanted 24 - Istanbul
Holy Mountain - Maia Matches, Knuckles & Notch
MENU メニュー - Wataru Tominaga
Le dos des choses - Guillaume Goutal
Tools #04 – Couper / To Cut
Gros Gris n°4 - Duel
Instructional Photography: Learning How to Live Now - Carmen Winant
Le singe et le bijoux - Roxane Lumeret
9 octobre 1977 - Roberto Varlez
Dernier royaume - Quentin Derouet 























