Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Voir la Palestine, Contre-champs artistiques - Stefanie Baumann
Tropism - Nhu Xuan Hua
Seoul Flowers & Trees - tribute to Lee Friedlander
People in a faraday cage - Stéphanie Gygax
Piano - Joseph Charroy
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Dernier royaume - Quentin Derouet
Blanche Endive - Grégoire Motte & Gabriel Mattei
Spécimen Typographique : No Ko - Loris Pernoux
Radio-Art - Tetsuo Kogawa
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Sillo n°3 - Le Fauve
Entretiens – Jérôme Dupeyrat
Temps d'arrêt - Etienne Buyse
Zoom Age - Julien Auregan
Musée des Beaux-Arts - Pierre Martel
Aurore Colbert - Marie Mons
interférence - 2 - maycec
Tomber dans l'escalier - Jasper Sebastian Stürup
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Délices d’Orient - Sarah Vadé
Pénurie - Zivo, Jérôme Meizoz
Konrad Becker - Dictionnaire de réalité stratégique
America - Ayline Olukman, Hélène Gaudy 























