Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Der Erste Rotkehlchen - Le livre
Temps d'arrêt - Etienne Buyse
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Artzines #12 Provo Special
La traversée - Magali Brueder
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Deep state - Mathieu Desjardins
La troisième oreille et autres textes + CD - Bryan Lewis Saunders
Spécimen Typographique : No Ko - Loris Pernoux
Le Choix du peuple - Nicolas Savary, Tilo Steireif
twen [1959–1971]
Critique d'art n°54
Pour une esthétique de l'émancipation - Isabelle Alfonsi
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
A l'origine - Anne-Émilie-Philippe
Je ne peux pas ne pas - Geneviève Romang
America - Ayline Olukman, Hélène Gaudy 























