Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Musée des Beaux-Arts - Pierre Martel
Génération dakou - Yann Jun + CD
Blaclywall by Sihab Baik - Claude Closky
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Typologie – La tente de camping
Der Erste Rotkehlchen - Le livre
Saveurs imprévues et secrètes - Gilbert Lascault
Dessins pour Rugir - Virginie Rochetti
Papier magazine n°06 - Coupe du monde
Harry Thaler's Pressed Chair
Salt Crystal - Fabio Parizzi
Étrangement seuls - Jean-Pascal Princiaux
Hybrid heads - Daniela Dossi
Tools #04 – Couper / To Cut
Dédale - Laurent Chardon 























