Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Bote-tchu & Sèllatte - Simon Boudvin
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Alma Mater n°1
Spectres n°4 - Mille voix
Le dos des choses - Guillaume Goutal
Idoine & Supermarket
Archives Universum 01 - Flores & Prats
Délié - Baptiste Oberson
Espaces intermédiaires - Éliane Radigue et Julia Eckhardt
SKKS - Gilles Pourtier 























