Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
La construction - Perrine Le Querrec
Eros Negro # 1 - Demoniak
Konrad Becker - Dictionnaire de réalité stratégique
Gruppen n°14 - Collectif
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
SKKS - Gilles Pourtier 























