People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Entretiens – Jérôme Dupeyrat
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Salt Crystal - Fabio Parizzi
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Critique d'art n°56
Gros Gris n°4 - Duel
Autodrône - Divine Vizion
Tchat - Gary Colin
Eldorado maximum - Les commissaires anonymes
Flower finds - Orianne Jeanselme
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
Atopoz - Collectif
À partir de n°1 - Coll.
Modern Instances, The Craft of Photography - Stephen Shore
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Darkest Night - Joel Van Audenhaege
Alma Mater n°1
Wayfaring - Patrick Messina, André S. Labarthe
Titanic Orchestra - Julien Mauve
Oblikvaj 2 - L'amour à la maison - Yannis La Macchia, Ensemble Battida
Télégraphes de l'Utopie – L'art des avant-gardes en Europe Centrale 1918-1939 - Sonia de Puineuf
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
Une goutte d'homme - Alice Dourlen
Imagos - Noémie Lothe
Critique & création - L.L. de Mars
Fluent - Laëticia Donval 











































