People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Les Mains sales - Collectif
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Heads Together – Weed and the Underground Press Syndicate - David Jacob Kramer
Machiavel chez les babouins - Tim Ingold
Planning - Pierre Escot
Titanic Orchestra - Julien Mauve
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Retour d'y voir - n° 3 & 4 - Mamco
Anémochorie - Antonin Detemple
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
interférence - 2 - maycec
People in a faraday cage - Stéphanie Gygax
Espaces intermédiaires - Éliane Radigue et Julia Eckhardt
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Il est si difficile de trouver le commencement - Helen Thorington
Le Monde en situation - Vanessa Theodoropoulou
Le lacéré anonyme - Jacques Villeglé
Dear Paul - Paul Van der Eerden
A l'origine - Anne-Émilie-Philippe
Saveurs imprévues et secrètes - Gilbert Lascault
Critique d'art n°54
Le chateau enchanté - Atelier Mclane
Anarchitecte - Olivier Verdique alias Alvar Le Corvanderpius
Pectus Excavatum - Quentin Yvelin
Deep state - Mathieu Desjardins
Eros negro #2 - Demoniak
Sillo n°3 - Le Fauve
Eldorado maximum - Les commissaires anonymes
La France de tête - Lot de 4 numéros
interférence - 3 - maycec
Architecture-Belvédère - Lou-Andréa Lassalle & Bérénice Béguerie
ARTZINES #7 - Berlin issue
Keywording (Post) Contemporary Art - Greta Rusttt
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Le vieux père - Laurent Kropf
Je ne peux pas ne pas - Geneviève Romang
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Les Grands Ensembles - Léo Guy-Denarcy
Catalogue Art Guys - That's painting productions, Bernard Brunon
Délié - Baptiste Oberson
UPO 1 - Earth Art - Rejane Dal Bello
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
Philonimo - Le Canard de Wittgenstein - Alice Brière-Haquet, Loïc Gaume
Pénurie - Zivo, Jérôme Meizoz
On the Soft Edge of Space - Marleen Sleeuwits
Parataxes + CD - Michael Gendreau 











































