People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Imagos - Noémie Lothe
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
La grande surface de réparation - Gilles Pourtier
Email Diamant - Fabienne Radi
Calendrier des révoltes - Matthieu Saladin
Theatre - Dan Graham
Zombie Girls 2.0 - Lucie Lučanská
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Après la révolution – numéro 1
Quand l’ocean se retire d’Henri C. - Billiam C. et Camille Carbonaro
La Typographie Moderne - Robin Kinross
Le corps travesti - Michel Journiac
Titanic Orchestra - Julien Mauve
Entretiens – Jérôme Dupeyrat
Le museau de mes amies m’amuse - Jehane Mahmoud
Mariken Wessels — Miss Cox
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Radio-Art - Tetsuo Kogawa
Optical Sound 3
Oasis - Stéphane Ruchaud, Christophe Honoré
Dishes for Dolls - Ruth van Beek
Cosmopolites - Christoffer Ellegaard
The Shelf - Journal 3
Zoom Age - Julien Auregan
Klima Pages #2 — Somptueuses Résidences
Phasing Consequence - Louis Reith
Super Kiblind 3
Photographic Fields - Joël Van Audenhaege
Dear Paul - Paul Van der Eerden
Graphzine Visages
Turlupin N°1 \ Soumission — Michael Dans
A l'origine - Anne-Émilie-Philippe
La Fête - Damien Tran
Un essai sur la typographie - Eric Gill
interférence - 3 - maycec 











































