Wasteland, as a result of their emptiness and lack of purpose reveal themselves to be nonconforming to social norms. They thus represent locations for freedom and are conducive to the imagination. From this observation is born a desire to undergo a life experience in a waste ground, turning this location into a kingdom, an open-air studio. It becomes a playground where one may celebrate materiality and physical experimentation, a territory where one may escape the virtual and technological world. Wanting to operate a return to a form of simplicity, the naive desire to undergo a kind of « tabula rasa » is not without recollecting a kind of rebellion.

Constructing in order to destroy – all of which is bound to physical and intuitive experiences, which is somewhat absurd, yet resolutely childlike. From this emptiness which waste grounds can evoke, they are in reality a reserve of shapes and impoverished materials. An economy of means which, when nourished by the virtue of a childlike naivety, allow us to envisage these materials as the essence of various games and constructions.
64 pages, 23×30cm
Offset printing
Silkscreen cover

Der Erste Rotkehlchen - Le livre
ARTZINES #1, Paris issue
Gros Gris n°4 - Duel
Aristide n°4
The life of Ruben - Bernardo Sousa Santos
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Le corps travesti - Michel Journiac
La traversée - Magali Brueder
Buiding a wall - A book by Roméo Julien
Editer l’art – Leszek Brogowski
Avec ce qu'il resterait à dire - Anne Maurel
Eldorado maximum - Les commissaires anonymes
Norovirus - Orgie en mers chaudes - Claude Grétillat
Au chevet des milieux : L'émancipation par l'outil manuel - Yetecha Negga
Blaclywall by Sihab Baik - Claude Closky
Artzines # 10 - Show & Tell #2 NY Special
Sébastien - Antoine Orand
Deep state - Mathieu Desjardins
L'inventaire des destructions - Éric Watier
Saveurs imprévues et secrètes - Gilbert Lascault
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Le blanc nez - Fouss Daniel 













