Wasteland, as a result of their emptiness and lack of purpose reveal themselves to be nonconforming to social norms. They thus represent locations for freedom and are conducive to the imagination. From this observation is born a desire to undergo a life experience in a waste ground, turning this location into a kingdom, an open-air studio. It becomes a playground where one may celebrate materiality and physical experimentation, a territory where one may escape the virtual and technological world. Wanting to operate a return to a form of simplicity, the naive desire to undergo a kind of « tabula rasa » is not without recollecting a kind of rebellion.

Constructing in order to destroy – all of which is bound to physical and intuitive experiences, which is somewhat absurd, yet resolutely childlike. From this emptiness which waste grounds can evoke, they are in reality a reserve of shapes and impoverished materials. An economy of means which, when nourished by the virtue of a childlike naivety, allow us to envisage these materials as the essence of various games and constructions.
64 pages, 23×30cm
Offset printing
Silkscreen cover

Jawa Tengah Combo - Fred Maillard
Imagos - Noémie Lothe
Entretiens – Jérôme Dupeyrat
Good Company - Paul Van der Eerden
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Photographic Fields - Joël Van Audenhaege
Étrangement seuls - Jean-Pascal Princiaux
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Le vieux père - Laurent Kropf
Tchat - Gary Colin
Un essai sur la typographie - Eric Gill
Mökki n°4
Rasclose - Geoffroy Mathieu
L’Écureuil de James - Alice Brière-Haquet, Liuna Virardi
Éclats III - Athanor
Burning Images, A History of Effigy Protests - Florian Göttke
Fluent - Laëticia Donval 













