A treasure trove of Japanese ’60s graphic design, as captivating now as it was then.

After World War II, alphabet typography became an everyday part of life in Japan as printed materials, notices, and signs in foreign languages, particularly English, flooded streets and homes alike. With their well-defined forms, rhythmical lines, and variously delicate, dignified, or fanciful air, these letters and symbols not only brilliantly satisfied their original design purpose, but are delightful to look at even today.
This volume, a reedited reprint of a collection originally published in 1962, brings together the best of alphabet typography from ’60s Japan, including some seventy letter and number fonts both practical and ornamental along with roughly a thousand monograms combining letters and numerals in a variety of forms.
□ size: 148 × 105 × 24 mm, 210 g
□ binding: softcover
□ pages: 276

Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
L’île de Reil - Karine Portal
Le Parfum du Silence - Bonnie Colin
La vallée - la brèche - Tania Maria Elisa
Dictionary - Claude Closky
Turlupin N°1 \ Soumission — Michael Dans
Zoom Age - Julien Auregan
Entrez sans sonnet - Julie Redon
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Bokkusu - Nigel Peake
Collective Design : Alison & Peter Smithson
La grande surface de réparation - Gilles Pourtier
Un essai sur la typographie - Eric Gill
ARBRES-TRONCS - Zoé van der Haegen
François Morellet - 5 x 3 - François Morellet, Serge Lemoine, Frédéric Valabrègue
Hobo Nickel - Damien Sauvage
Sans titre - Benjamin Hartmann
Sans-Titre - Laurens Van'T Riet
La typographie des Penguin Classics - Andrew Barker 



















