A treasure trove of Japanese ’60s graphic design, as captivating now as it was then.

After World War II, alphabet typography became an everyday part of life in Japan as printed materials, notices, and signs in foreign languages, particularly English, flooded streets and homes alike. With their well-defined forms, rhythmical lines, and variously delicate, dignified, or fanciful air, these letters and symbols not only brilliantly satisfied their original design purpose, but are delightful to look at even today.
This volume, a reedited reprint of a collection originally published in 1962, brings together the best of alphabet typography from ’60s Japan, including some seventy letter and number fonts both practical and ornamental along with roughly a thousand monograms combining letters and numerals in a variety of forms.
□ size: 148 × 105 × 24 mm, 210 g
□ binding: softcover
□ pages: 276

Der Erste Rotkehlchen - Le livre
Wayfaring - Patrick Messina, André S. Labarthe
Critique & création - L.L. de Mars
Avec ce qu'il resterait à dire - Anne Maurel
Keywording (Post) Contemporary Art - Greta Rusttt
La nuit, tu mens - Ambre Husson
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Alma Mater n°1
Strates & Archipels - Pierre Merle
Imagos - Noémie Lothe
Optical Sound 3
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Spécimen Typographique : No Ko - Loris Pernoux 



















