A treasure trove of Japanese ’60s graphic design, as captivating now as it was then.

After World War II, alphabet typography became an everyday part of life in Japan as printed materials, notices, and signs in foreign languages, particularly English, flooded streets and homes alike. With their well-defined forms, rhythmical lines, and variously delicate, dignified, or fanciful air, these letters and symbols not only brilliantly satisfied their original design purpose, but are delightful to look at even today.
This volume, a reedited reprint of a collection originally published in 1962, brings together the best of alphabet typography from ’60s Japan, including some seventy letter and number fonts both practical and ornamental along with roughly a thousand monograms combining letters and numerals in a variety of forms.
□ size: 148 × 105 × 24 mm, 210 g
□ binding: softcover
□ pages: 276

Der Erste Rotkehlchen - Le livre
Sans titre - Benjamin Hartmann
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Inflamed Invisible - David Toop
Anémochorie - Antonin Detemple
Un essai sur la typographie - Eric Gill
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Lili, la rozell et le marimba / revue n°2
Slikmiks - Mikkel Sommer / Mekl
Optical Sound 2
SKKS - Gilles Pourtier
Quand l’ocean se retire d’Henri C. - Billiam C. et Camille Carbonaro
A book (untitled) - Maya Strobbe
Le corps travesti - Michel Journiac
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Délices d’Orient - Sarah Vadé
Distant Egghug - Peter McDonald
Gruppen n°13 - Collectif
Off the Grid - Anna Niklova
Les Grands Ensembles - Léo Guy-Denarcy
Le singe et le bijoux - Roxane Lumeret
Voir la Palestine, Contre-champs artistiques - Stefanie Baumann
Temps d'arrêt - Etienne Buyse
Strates & Archipels - Pierre Merle
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
It was a good day - Jeremy Le Corvaisier
Slanted 30 - Athens 



















