A treasure trove of Japanese ’60s graphic design, as captivating now as it was then.

After World War II, alphabet typography became an everyday part of life in Japan as printed materials, notices, and signs in foreign languages, particularly English, flooded streets and homes alike. With their well-defined forms, rhythmical lines, and variously delicate, dignified, or fanciful air, these letters and symbols not only brilliantly satisfied their original design purpose, but are delightful to look at even today.
This volume, a reedited reprint of a collection originally published in 1962, brings together the best of alphabet typography from ’60s Japan, including some seventy letter and number fonts both practical and ornamental along with roughly a thousand monograms combining letters and numerals in a variety of forms.
□ size: 148 × 105 × 24 mm, 210 g
□ binding: softcover
□ pages: 276

Michael Riedel - Milan Ther
Polyphème (d'après Euripide) - J. & E. LeGlatin
Hmm ! - C. de Trogoff
interférence - 3 - maycec
Karbone Magazine n°8 - Parasite
Incipit - Aymeric Vergnon
Trous gris - Michel Vachey
Laura Mulvay - Fetichisme et curiosité
ARBRES-TRONCS - Zoé van der Haegen
Tout va bien - Vera Muratet
Dear Paul - Paul Van der Eerden
Imagos - Noémie Lothe
Guten Tag - Pablo Tomek
Collective Design : Alison & Peter Smithson
УYY - Yelena Yemchuk
Gros Gris n°4 - Duel
Idoine & Antonin Giroud-Delorme
Autoportrait - Carla Lonzi
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Tchat - Gary Colin
Perturbations - Rosaire Appel
Pain liquide n° 01
Strannberg – The Chauvinist Manifesto - Samuel Nyholm / Sany
Superbemarché - Coll.
Ce qu'est ce que - Gabriel Hibert
L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli 



















