Odds and Ends considers the end as guiding principle in everything around us, and delineates a portrait of an abandoned, still-smoking Earth. Marie Quéau has set out to explore lands and terrains that might be vectors for her anxieties about the future. She often undertakes this work as an obituary for our planet, harking to its accidents and its slow collapse. This investigation progresses as a hopscotch of sorts, one place immediately leading to the next. Over five years, wind, earth, and fire have guided her in piecing together this fatal fable. Time has been intentionally frozen to muffle life. This series is, in her eyes, a poem without men.

SILVER PRINT + HARD COVER 180 PAGES 220 X 280 MM 500 COPIES

Le blanc nez - Fouss Daniel
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
Umami - Ariane Vonmoos
Photographic Fields - Joël Van Audenhaege
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Aurore Colbert - Marie Mons
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Cuadernos - Henry Deletra
Strates & Archipels - Pierre Merle
Titanic Orchestra - Julien Mauve
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Vacuité 9090 - Jérémy Piningre
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Hybrid heads - Daniela Dossi
Tools #04 – Couper / To Cut
Stéréo couleurs - Atelier Bingo
Zoom Age - Julien Auregan
Sights - Henry McCausland 





















