Odds and Ends considers the end as guiding principle in everything around us, and delineates a portrait of an abandoned, still-smoking Earth. Marie Quéau has set out to explore lands and terrains that might be vectors for her anxieties about the future. She often undertakes this work as an obituary for our planet, harking to its accidents and its slow collapse. This investigation progresses as a hopscotch of sorts, one place immediately leading to the next. Over five years, wind, earth, and fire have guided her in piecing together this fatal fable. Time has been intentionally frozen to muffle life. This series is, in her eyes, a poem without men.

SILVER PRINT + HARD COVER 180 PAGES 220 X 280 MM 500 COPIES

Flynn zine # 1 - Flynn Maria Bergmann
The Letter A looks like The Eiffel Tower - Paul Andali
Mökki n°4
Gruppen n°14 - Collectif
L'inventaire des destructions - Éric Watier
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Pluie - Coll. - Lagon revue
Les Grands Ensembles - Léo Guy-Denarcy
Gone - Pierre La Police
Saveurs imprévues et secrètes - Gilbert Lascault
Mökki n°2
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Crise de foie - Christine Demias
Lavalse des tambours - Paul Rey
Science of the secondary #11 - Banana
Le chateau enchanté - Atelier Mclane
La prise - Florian Javet
Holy Mountain - Maia Matches, Knuckles & Notch
Keywording (Post) Contemporary Art - Greta Rusttt
Dictionary - Claude Closky
Citrus maxima xparadisi - coll.
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Good Company - Paul Van der Eerden
Rois de la forêt - Alain Garlan
Le corps travesti - Michel Journiac
Musée des Beaux-Arts - Pierre Martel
Gros Gris n°4 - Duel 





















